As a traveling teacher, packing and unpacking are part of my job. As soon as one trip is over, another is upcoming. For the few weeks, I’ve been making lists and packing for Spring Market. Everything has to be shipped tomorrow, so I’m getting down to the wire.

This year Spring Market will be held in Portland, Oregon. It is a beautiful city.  It has a population of over 2 million residents. The city covers 130 miles and is listed as the cleanest city in the U.S. Companies such as Nike, Adidas and Intel fuel the local economy.  Portland is located an hour from the Pacific Ocean and is close to Mount Hood. (Check out the link for the Mount Hood web cam!)

There is always lots to do, to prepare for Market. I’ll be doing two Schoolhouse Sessions: Secrets of the Selvage and Creating Quilts of Illusion.

I will debut new colors in my Gilded Greenery collection.

 

And my new collection called Nami will also debut.

 

Often I am asked, “How do you design fabric?” Sometimes I am inspired by a concept, sometimes a texture, sometimes by a need I see as a quilter. Many different things inspire my fabric and quilt designs.

For Nami, I was inspired by antique and traditional Asian textures. To give the collection a clean, yet traditional feel, I used the combinations of indigo/white, black/white, red/white and red/black.

In order to have designs that worked well together, I selected curvilinear designs and geometric designs. These play well off each other and can be used together in a quilt.

The three curvilinear designs are:

         

The floral designs are inspired from traditional Asian textures. The wave design is inspired from an antique kimono texture.

The three linear designs are:

             

Each of these designs were directly inspired by traditional Sashiko quilting patterns. In the third design, the stitching lines show.

What is Sashiko?
Early 18th Century, the wives of Japanese farmers, fishermen and lumberjacks made warm garments by stitching     two pieces of heavy fabric together. They used fine running stitches throughout the entire garment. At first, the    stitching was used for reinforcing and repairing damaged fabrics but later became more decorative. The cotton fabric was dyed very dark blue with the root of a native plant. We know this color as indigo.

By the end of the century, this particular style of stitchery was known as “SASHIKO”. Around the late 19th Century, sashiko appeared in cities. The style was adopted for warmth but the stitching designs became more elaborate.

I created this kimono quilt as a free project giveaway for this collection. Be sure to ask for your shops to order Nami and ask for the free project sheet.

 

 I also played with Nami and Gilded Greenery in this quilt, Celtic Vision from my book, Celtic Pieced Illusions.

 I used the Cinnamon and Saffron colorways from Gilded Greenery and three textures Nami in this quilt. I think it is an amazing combination!

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